{"id":78,"date":"2017-06-07T22:43:38","date_gmt":"2017-06-07T22:43:38","guid":{"rendered":"https:\/\/iscpif.fr\/stalagmemes\/?page_id=78"},"modified":"2017-11-14T22:22:11","modified_gmt":"2017-11-14T22:22:11","slug":"description","status":"publish","type":"page","link":"https:\/\/iscpif.fr\/stalagmemes\/description\/","title":{"rendered":"description"},"content":{"rendered":"<div id='full_slider_1'  class='avia-fullwidth-slider main_color avia-shadow   avia-builder-el-0  el_before_av_one_half  avia-builder-el-first   container_wrap fullsize'  ><div  class='avia-slideshow av-av_slideshow_full-32de997090c749a8c82b86d1ff824dd4 avia-slideshow-featured av_slideshow_full avia-slide-slider av-slideshow-ui av-control-default av-slideshow-manual av-loop-once av-loop-manual-endless av-default-height-applied   avia-slideshow-1' data-slideshow-options=\"{&quot;animation&quot;:&quot;slide&quot;,&quot;autoplay&quot;:false,&quot;loop_autoplay&quot;:&quot;once&quot;,&quot;interval&quot;:5,&quot;loop_manual&quot;:&quot;manual-endless&quot;,&quot;autoplay_stopper&quot;:false,&quot;noNavigation&quot;:false,&quot;bg_slider&quot;:false,&quot;keep_padding&quot;:false,&quot;hoverpause&quot;:false,&quot;show_slide_delay&quot;:0}\"  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><ul class='avia-slideshow-inner ' style='padding-bottom: 40.299906279288%;'><li  class='avia-slideshow-slide av-av_slideshow_full-32de997090c749a8c82b86d1ff824dd4__0  av-single-slide slide-1 slide-odd'><div data-rel='slideshow-1' class='avia-slide-wrap '   ><div class='av-slideshow-caption av-av_slideshow_full-32de997090c749a8c82b86d1ff824dd4__0 caption_fullwidth caption_left caption_left_framed caption_framed'><div class=\"container caption_container\"><div class=\"slideshow_caption\"><div class=\"slideshow_inner_caption\"><div class=\"slideshow_align_caption\"><h2 class='avia-caption-title '  itemprop=\"name\" >About Stalagmemes<\/h2><\/div><\/div><\/div><\/div><\/div><img fetchpriority=\"high\" class=\"wp-image-36 avia-img-lazy-loading-not-36\"  src='https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ScreenShot00011.png?resize=1067%2C430&ssl=1' width='1067' height='430' title='ScreenShot00011' alt=''  itemprop=\"thumbnailUrl\"   \/><\/div><\/li><\/ul><\/div><\/div><div id='after_full_slider_1'  class='main_color av_default_container_wrap container_wrap fullsize'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-full alpha units'><div class='post-entry post-entry-type-page post-entry-78'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-6126cab7d8fab8d08143dd2dacdf673c\">\n.flex_column.av-av_one_half-6126cab7d8fab8d08143dd2dacdf673c{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-6126cab7d8fab8d08143dd2dacdf673c av_one_half  avia-builder-el-1  el_after_av_slideshow_full  el_before_av_one_half  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-av_textblock-396ddf1f42196ca838231e61a4602801 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-101 alignright\" src=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/palaisdetokyo-logo.png?resize=149%2C61&#038;ssl=1\" alt=\"\" width=\"149\" height=\"61\" srcset=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/palaisdetokyo-logo.png?w=340&amp;ssl=1 340w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/palaisdetokyo-logo.png?resize=300%2C123&amp;ssl=1 300w\" sizes=\"auto, (max-width: 149px) 100vw, 149px\" \/>Contribution to the exhibition <em>Le R\u00eave des Formes<\/em>, Palais de Tokyo, June 12 &#8211; September 12, 2017.<\/p>\n<p>David Chavalarias, Jonathan P\u00eape and Thibaut Rostagnat &#8211; Interactive installation 2017<\/p>\n<blockquote>\n<p>Our digital societies\u00a0leave multiple traces on the web and social networks, which\u00a0accumulation constitutes the basis\u00a0of an intelligence collective.<\/p>\n<p>Like the slow and continuous fall of calcareous water, which leads to the formation of stalagmites, this accumulation of knowledge on the Web generates shapes that follow the hectic evolution of the news.<\/p>\n<p>Designed by artists Jonathan Ppepe and Thibaut Rostagnat, both graduates of Fresnoy, in collaboration with mathematician David Chavalarias, the installation <em>Stalagmemes<\/em> aims to make perceptible the traces of our collective intelligence.<\/p>\n<p>It features\u00a0trogloxen creatures whose forms are issued from the\u00a0analysis of the\u00a0online debates on climate change. They grow according to the attention that we, collectively, give to them\u00a0on the web at the moment when the spectator\u00a0considers them. The installation relies on\u00a0video game technics\u00a0to\u00a0transpose the collective phenomena into a poetic space, inviting the viewer to a question about the origin of these forms.<\/p>\n<\/blockquote>\n<p>This installation is based on the ISC-PIF Multivac platform<\/p>\n<p><strong>Special thanks:<\/strong><br \/>\nLukas Tr\u00fcniger, Paul Guilbert, Riwal Pacquentin, Jade Journeaux, Sol\u00e8ne Haquette, Cave of Saint-C\u00e9zaire, Cave of balsam, obscure Saint-Vallier, Eric Prigent, Maziyar Panahi, Scan Factory, Fabrice Peronne.<\/p>\n<p><strong>Co-production:<\/strong> Palais de Tokyo &#8211; CNRS (Science in Pocket project).<\/p>\n<p><strong>With the support of:<\/strong> the Nord Pas-de-Calais Region, the \u00cele-de-France Region (DIM), the City of Paris (\u00c9mergence-s program)<\/p>\n<\/div><\/section><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_half-0aa7055fe62c3622faec82866afbaeb2\">\n.flex_column.av-av_one_half-0aa7055fe62c3622faec82866afbaeb2{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_half-0aa7055fe62c3622faec82866afbaeb2 av_one_half  avia-builder-el-3  el_after_av_one_half  avia-builder-el-last  flex_column_div av-zero-column-padding  '     ><p><div  class='togglecontainer av-av_toggle_container-3db3bf9baa9aa7fee59103dfaf5a6e4b  avia-builder-el-4  el_before_av_image  avia-builder-el-first  toggle_close_all' >\n<section class='av_toggle_section av-av_toggle-0e707a05a4027bc0f46f2afcc2652a33'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{Tout} \"  ><p id='toggle-toggle-id-1' data-fake-id='#toggle-id-1' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-1' data-slide-speed=\"200\" data-title=\"Genesis of the project\" data-title-open=\"\" data-aria_collapsed=\"Cliquez pour \u00e9tendre : Genesis of the project\" data-aria_expanded=\"Cliquez pour r\u00e9duire : Genesis of the project\">Genesis of the project<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-1' aria-labelledby='toggle-toggle-id-1' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p><span lang=\"en-US\">The Stalagm\u00e8mes project was born of the meeting between Jonathan Ppepe and David Chavalarias during the cycle \u00ab\u00a0Uncertainty of Forms\u00a0\u00bb organized by the Fresnoy <\/span><span lang=\"en-US\">in preparation <\/span><span lang=\"en-US\">of the exhibition. Jonathan P\u00eape then presented his installation Exo_biote, a work aimed at inventing a typology of possible forms and movements by diverting technologies developed in\u201csoft robotics\u201d technologies. <\/span><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-220 aligncenter\" src=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=1500%2C790&#038;ssl=1\" alt=\"\" width=\"1500\" height=\"790\" srcset=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?w=1856&amp;ssl=1 1856w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=300%2C158&amp;ssl=1 300w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=768%2C405&amp;ssl=1 768w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=1030%2C543&amp;ssl=1 1030w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=1500%2C790&amp;ssl=1 1500w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=710%2C375&amp;ssl=1 710w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=705%2C371&amp;ssl=1 705w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/S%C3%A9lection_354.png?resize=450%2C237&amp;ssl=1 450w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><\/p>\n<p><a name=\"result_box1\"><\/a> <span lang=\"en-US\">David Chavalarias&rsquo; concerns about the reconstruction, analysis and visualization of collective social dynamics have found in this work a fertile ground for an encounter between these two universes. The ambition was to make perceptible, even tangible, the forms generated by the social dynamics in which we take part and which transcend us in the form of a collective intelligence.<\/span><\/p>\n<p>Everyone has already seen the colonies of ants that find the nearest jam <span lang=\"en-US\">jar <\/span><span lang=\"en-US\">and go there following a path that seems well marked. For this, they coordinate via pheromones deposited on the ground when they move. The anthill is one of the first forms of collective intelligence studied scientifically (Bonabeau et al 1999). It itself, as a \u00ab\u00a0superorganism\u00a0\u00bb, generates forms, such as the paths taken by the ants that compose it.<\/span><\/p>\n<p>The concept of collective intelligence is thus closely linked to the notion of stigmergy, a phenomenon of decentralized coordination of a group of individuals via traces left in the environment.<\/p>\n<p>Humanity has been using stigm<span lang=\"en-US\">ergic<\/span><span lang=\"en-US\"> processes for millennia. But these processes have become central to the evolution of our culture since the advent of the web and new technologies. Nowadays, everyone can leave traces visible to humanity as a whole (blog posts, articles, comments, notes, likes, etc.) that are likely to influence the behavior of a large number of congeners, <\/span><span lang=\"en-US\">whereever they <\/span><span lang=\"en-US\">are <\/span><span lang=\"en-US\">on earth<\/span><span lang=\"en-US\">.<\/span><\/p>\n<p>What forms of collective intelligence emerge as a result of this unprecedented scale change? What traces are left in our digital and natural environments? How can they be represented?<\/p>\n<p>The intuition that this form of collective expression should be treated as a <span lang=\"en-US\">living form<\/span><span lang=\"en-US\"> in its own right has led us to the question of the modalities of interaction with this organism. The universe of video games and 3D numerical modeling then appeared to us as possible bridges <\/span><span lang=\"en-US\">to<\/span><span lang=\"en-US\"> this collective human-intelligence interaction, and a co-creation with Thibaut Rostagnat and the virtual universes that <\/span><span lang=\"en-US\">he<\/span><span lang=\"en-US\"> develops then imposed itself as <\/span><span lang=\"en-US\">a<\/span><span lang=\"en-US\">n evidence.<\/span><\/p>\n<\/div><\/div><\/div><\/section>\n<section class='av_toggle_section av-av_toggle-7dac1459319a31d69345af47455d90ec'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div role=\"tablist\" class=\"single_toggle\" data-tags=\"{Tout} \"  ><p id='toggle-toggle-id-2' data-fake-id='#toggle-id-2' class='toggler  av-title-above '  itemprop=\"headline\"  role='tab' tabindex='0' aria-controls='toggle-id-2' data-slide-speed=\"200\" data-title=\"Stalagmemes &amp; phylomemies\" data-title-open=\"\" data-aria_collapsed=\"Cliquez pour \u00e9tendre : Stalagmemes &amp; phylomemies\" data-aria_expanded=\"Cliquez pour r\u00e9duire : Stalagmemes &amp; phylomemies\">Stalagmemes &amp; phylomemies<span class=\"toggle_icon\"><span class=\"vert_icon\"><\/span><span class=\"hor_icon\"><\/span><\/span><\/p><div id='toggle-id-2' aria-labelledby='toggle-toggle-id-2' role='region' class='toggle_wrap  av-title-above'  ><div class='toggle_content invers-color '  itemprop=\"text\" ><p><span lang=\"en-US\">Stalagm<\/span><span lang=\"en-US\">e<\/span><span lang=\"en-US\">mes relies on new methods of analysis of the digitiz<\/span><span lang=\"en-US\">ed<\/span> <span lang=\"en-US\">corpora<\/span><span lang=\"en-US\"> developed by David Chavalarias: the reconstruction of phylo<\/span><span lang=\"en-US\">me<\/span><span lang=\"en-US\">mies. A phylomem<\/span><span lang=\"en-US\">y<\/span><span lang=\"en-US\"> is a reconstruction and a visualization of the evolution of a set of themes as they are <\/span><span lang=\"en-US\">discussed<\/span><span lang=\"en-US\"> within a corpus of texts.<\/span><\/p>\n<p>For Stalagm\u00e8mes, David Chavalarias used a corpus of several million documents from the <a href=\"http:\/\/tweetoscope.iscpif.fr\/\" target=\"_blank\" rel=\"noopener\">Climate Tweetoscope<\/a>, a <span lang=\"en-US\">platform<\/span><span lang=\"en-US\"> for the continuous analysis of debates on climate change on the web, developed at the <\/span><span lang=\"en-US\">CNRS<\/span><span lang=\"en-US\"><a href=\"http:\/\/iscpif.fr\" target=\"_blank\" rel=\"noopener\"> Institute of Complex Systems of Paris Ile-de-France<\/a> (Chavalarias, Panahi, Castillo 2015). This system was conceived for the exhibition <a href=\"http:\/\/www.cite-sciences.fr\/fr\/ressources\/expositions-passees\/climat-lexpo-a-360-degres\/lexposition\/\" target=\"_blank\" rel=\"noopener\">Le Climat \u00e0 360 \u00b0<\/a> at the <em>Cit\u00e9 des Sciences et de l&rsquo;Industrie<\/em>, which was <\/span><span lang=\"en-US\">at the period of<\/span><span lang=\"en-US\"> the COP21.<\/span><\/p>\n<p>A branch of phylomem<span lang=\"en-US\">y<\/span><span lang=\"en-US\"> has the form of a network whose nodes are stages and variants of a given debate. It unfolds over time with the evolution of the debate it represents.<\/span><\/p>\n<p>It is a poetic representation of these branches that is given to see in Stalagm\u00e8mes. Their forms have been reworked and staged by Jonathan P\u00eape and Thibault Rostagnat to make them organic and end up with stalagm\u00e8mes.<\/p>\n<p>The scientific description of the branches of phylomemia used in Stalagm\u00e8mes is available <a href=\"https:\/\/iscpif.fr\/stalagmemes\/stalagmemes-and-phylomemies\/\" target=\"_blank\" rel=\"noopener\">on this page<\/a>.<\/p>\n<div id=\"attachment_126\" style=\"width: 1012px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-126\" class=\"size-full wp-image-126\" src=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=1002%2C1225&#038;ssl=1\" alt=\"\" width=\"1002\" height=\"1225\" srcset=\"https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?w=1002&amp;ssl=1 1002w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=245%2C300&amp;ssl=1 245w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=768%2C939&amp;ssl=1 768w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=842%2C1030&amp;ssl=1 842w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=577%2C705&amp;ssl=1 577w, https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/ChavalariasPhyloTwitterClimat.png?resize=450%2C550&amp;ssl=1 450w\" sizes=\"auto, (max-width: 1002px) 100vw, 1002px\" \/><p id=\"caption-attachment-126\" class=\"wp-caption-text\"><em>Extrait d&rsquo;une phylom\u00e9mie reconstruite \u00e0 partir de donn\u00e9es Twitter et web sur le changement climatique. En haut, un branche particuli\u00e8re. En bas, d&rsquo;autres exemples de branches avec des morphologies sp\u00e9cifiques. Source : David Chavalarias 2017.<\/em><\/p><\/div>\n<p><span lang=\"en-US\">This reconstruction of phylomem<\/span><span lang=\"en-US\">y<\/span><span lang=\"en-US\"> is the first to rely on data of this nature (Twitter + web). <\/span><span lang=\"en-US\">It <\/span><span lang=\"en-US\">reflect<\/span><span lang=\"en-US\">s<\/span><span lang=\"en-US\"> in a new way the evolution of the attention of social networks and the web for climate change.<\/span><\/p>\n<p>The growth of phylo<span lang=\"en-US\">me<\/span><span lang=\"en-US\">mies in <\/span><span lang=\"en-US\"><i>Stalagm<\/i><\/span><span lang=\"en-US\"><i>e<\/i><\/span><span lang=\"en-US\"><i>mes<\/i><\/span><span lang=\"en-US\"> is driven by data collected in real time by the <a href=\"https:\/\/multivac.iscpif.fr\/\" target=\"_blank\" rel=\"noopener\">Multivac platform<\/a> of ISC-PIF (project leader: Maziyar Panahi), also used in the Climate Tweetoscope (~ 500,000 tweets analyzed per week). A branch begins to grow <\/span><span lang=\"en-US\">in nearly real-time <\/span><span lang=\"en-US\">when the debate it represents is discussed on the web. If you want to know which subjects grow the stalagmem<\/span><span lang=\"en-US\">e<\/span><span lang=\"en-US\">s of the exhibition, <a href=\"https:\/\/iscpif.fr\/stalagmemes\/stalagmemes-and-phylomemies\/\" target=\"_blank\" rel=\"noopener\">consult the description of the branches of the original phylomem<\/a><\/span><span lang=\"en-US\">y<\/span><span lang=\"en-US\">.<\/span><\/p>\n<p>Some debates are very lively on the web and associated stalagm<span lang=\"en-US\">e<\/span><span lang=\"en-US\">mes grow rapidly in the installation, others on the contrary are more confidential and will take longer to develop. The <\/span><span lang=\"en-US\">spectator<\/span><span lang=\"en-US\"> can then perceive the differences of collective attention to the various themes related to climate change. Renewed awareness or confrontation with these debates makes him more able to express himself on the subject, and therefore, to participate in the growth of stalagm\u00e8mes.<\/span><\/p>\n<p>Between 2015 and June 2017, Multivac has collected a corpus of more than 70 million tweets with associated web content specifically addressing climate change issues. You have the trace before your eyes.<\/p>\n<\/div><\/div><\/div><\/section>\n<\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_image-77b4748aa41e4a2f3c930df7e428edf0\">\n.avia-image-container.av-av_image-77b4748aa41e4a2f3c930df7e428edf0 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-av_image-77b4748aa41e4a2f3c930df7e428edf0 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-av_image-77b4748aa41e4a2f3c930df7e428edf0 av-styling- avia-align-center  avia-builder-el-5  el_after_av_toggle_container  avia-builder-el-last '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img fetchpriority=\"high\" class='wp-image-278 avia-img-lazy-loading-not-278 avia_image ' src='https:\/\/i0.wp.com\/iscpif.fr\/stalagmemes\/wp-content\/uploads\/sites\/21\/2017\/06\/18821.jpg?fit=524%2C944&ssl=1' alt='' title='18821'  height=\"944\" width=\"524\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8ORUi-1g","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/pages\/78","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/comments?post=78"}],"version-history":[{"count":9,"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/pages\/78\/revisions"}],"predecessor-version":[{"id":403,"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/pages\/78\/revisions\/403"}],"wp:attachment":[{"href":"https:\/\/iscpif.fr\/stalagmemes\/wp-json\/wp\/v2\/media?parent=78"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}